“Whoever would undertake some atrocious enterprise should act as if it were already accomplished should impose upon himself a future as irrevocable as the past.”

A writer’s work is the product of laziness.

Poets, like the blind, can see in the dark.

It is clear that there is no classification of the Universe that is not arbitrary and full of conjectures. The reason for this is very simple: we do not know what kind of thing the universe is.

In Spanish it is very difficult to make things flow, because words are over-long. But in English, you have light words.

Chang Tzu tells us of a persevering man who after three laborious years mastered the art of dragon-slaying. For the rest of his days, he had not a single opportunity to test his skills.

In my next life I will try to commit more errors.

Poetry remembers that it was an oral art before it was a written art.

Then I reflect that all things happen, happen to one, precisely now. Century follows century, and things happen only in the present. There are countless men in the air, on land and at sea, and all that really happens happens to me.

Reality favors symmetry.

Writing is nothing more than a guided dream.

I saw all the mirrors on earth and none of them reflected me.

Creativity is suspended between memory and forgetting.

I suppose identity depends on memory. And if my memory is blotted out, then I wonder if I exist – I mean, if I am the same person. Of course, I don’t have to solve that problem. It’s up to God, if any.

I walk slowly, like one who comes from so far away he doesn’t expect to arrive.

Reality may avoid the obligation to be interesting, but hypotheses may not.

In adultery, there is usually tenderness and self-sacrifice; in murder, courage; in profanation and blasphemy, a certain satanic splendour. Judas elected those offences unvisited by any virtues: abuse of confidence and informing.