Just to be a functioning adult in the world, we develop all of these layers of protection. When we see homeless people, we don’t cry, even though homeless people probably deserve our tears – you know, it’s a horrible thing.
JONATHAN SAFRAN FOERShe was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.
More Jonathan Safran Foer Quotes
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I took the world into me, rearranged it, and sent it back out as a question: “Do you like me?
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When I looked at you, my life made sense. Even the bad things made sense. They were necessary to make you possible.
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Every moment before this one depends on this one.
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Why didn’t I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.
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I got incredibly heavy boots about how relatively insignificant life is, and how, compared to the universe and compared to time, it didn’t even matter if I existed at all.
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I watched the sheets breathe when she breathed, like how Dad used to say that trees inhale when people exhale, because I was too young to understand the truth about biological processes.
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I can forgive you for leaving, but not for coming back.
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I wasn’t trying to invent better and better homes, but to show her that homes didn’t matter, we could live in any home, in any city, in any country, in any century, and be happy, as if the world were just what we lived in.
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In my family, Father is the world champion at ending conversations.
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She avoids mirrors, and lifts a powerful telescope to find herself.
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Let love write on you for awhile.
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We are lying to ourselves and to each other. Lying about what? I don’t care if we’re lying. I am a bad person. I don’t care. I don’t care what you are.
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I missed you even when I was with you. That’s been my problem. I miss what I already have, and I surround myself with things that are missing.
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I put my hand on the doorknob because I thought maybe her hand was on the doorknob on the other side.
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She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.
JONATHAN SAFRAN FOER