Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.
JOHN IRVINGPlot is a map and I begin with it. It is what made me admire the novels of the 19th century; that the stories are foreshadowed. TheyÕre going someplace.
More John Irving Quotes
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Your memory is a monster; you forget – it doesn’t. It simply files things away. It keeps things for you, or hides things from you – and summons them to your recall with a will of its own. You think you have a memory; but it has you!
JOHN IRVING -
He also knew that rivals are best unmanned by being ignored.
JOHN IRVING -
The way you define yourself as a writer is that you write every time you have a free minute. If you didn’t behave that way you would never do anything.
JOHN IRVING -
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft.
JOHN IRVING -
My brain is sending poison to my heart.
JOHN IRVING -
In increments both measurable and not, our childhood is stolen from us — not always in one momentous event but often in a series of small robberies, which add up to the same loss.
JOHN IRVING -
It’s a no-win argument – that business of what we’re born with and what our environment does to us. And it’s a boring argument, because it simplifies the mysteries that attend both our birth and our growth.
JOHN IRVING -
I still believe in getting married in churches and baptizing children. I go through those motions.
JOHN IRVING -
I have always believed that, in a story, if something traumatic or calamitous enough happens to a kid at a formative age, that will make him or her the adult they become.
JOHN IRVING -
He had in abundance youth’s most dangerous qualities: optimism and relentlessness. He would risk everything he had to fly the plane that could carry the bomb within him.
JOHN IRVING -
We permit bad taste in this country. In fact, we even encourage it – and reward it in all manner of ways.
JOHN IRVING -
And when you love a book, commit one glorious sentence of it-perhaps your favorite sentence-to memory. That way you won’t forget the language of the story that moved you to tears.
JOHN IRVING -
The former stewardess glared at her ex-pilot husband as if he had been speaking, and thinking, in the absence of sufficient oxygen.
JOHN IRVING -
A writer’s job is to imagine everything so personally that the fiction is as vivid as memories.
JOHN IRVING -
When Jack Burns needed to hold his mother’s hand, his fingers could see in the dark.
JOHN IRVING







