black
grey
blue
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The lie, of course, is more interesting.

John Irving

I have a friend who says that reviewers are the tickbirds of the literary rhinoceros-but he is being kind. Tickbirds perform a valuable service to the rhino and the rhino hardly notices the birds.
JOHN IRVING

Be Kind Bird Rhinos
When I finally write the first sentence, I want to know everything that happens, so that I am not inventing the story as I write it – rather, I am remembering a story that has already happened.
JOHN IRVING

Stories Want Writing
The ability to see the future can be a burden, and the younger you are and the more isolated you feel, maybe the more of a burden it is.
JOHN IRVING

Ability Burden Feels
…every study of the gods, of everyone’s gods, is a revelation of vengeance towards the innocent.
JOHN IRVING

Innocent Study Vengeance
When Jack Burns needed to hold his mother’s hand, his fingers could see in the dark.
JOHN IRVING

Dark Mom Mother
Wrestling was my first success, the first thing that confirmed that I could be good at anything. Devoting yourself to wrestling, or tennis, or skiing, or dance, or to a musical instrument is a longing to be disciplined for a purpose.
JOHN IRVING

Musical Tennis Wrestling
The building of the architecture of a novel – the craft of it – is something I never tire of.
JOHN IRVING

Architecture Crafts Writing
I’m not afraid, but I’m very nervous.
JOHN IRVING

Nervous Not Afraid People
I think now that is the nature of hymns-they make us want to repeat them…they are a part of any service, and often the only part of a funeral service, that makes us feel everything is acceptable.
JOHN IRVING

Funeral Hymns Thinking
I’ve always preferred writing in longhand. I’ve always written first drafts in longhand.
JOHN IRVING

Firsts Writing Written
In increments both measurable and not, our childhood is stolen from us — not always in one momentous event but often in a series of small robberies, which add up to the same loss.
JOHN IRVING

Childhood Events Loss
In an episodic treatment, such as a teleplay is, you have the ability to do what you can do in a novel, which is flash back and flash forward in the same instant, in the same scene, in the same voice.
JOHN IRVING

Scene Treatment Voice
You know, everybody dies. My parents died. Your father died. Everybody dies. I’m going to die too. So will you. The thing is, to have a life before we die. It can be a real adventure having a life
JOHN IRVING

Adventure Everybody Father Real
He had in abundance youth’s most dangerous qualities: optimism and relentlessness. He would risk everything he had to fly the plane that could carry the bomb within him.
JOHN IRVING

Optimism Quality Risk
Your memory is a monster; you forget – it doesn’t. It simply files things away. It keeps things for you, or hides things from you – and summons them to your recall with a will of its own. You think you have a memory; but it has you!
JOHN IRVING

Memories Monsters Thinking
I don’t begin a novel until I have written, not just the last sentence, but usually, as a result thereof, many of the surrounding final paragraphs, so that in addition to knowing what happens, I know what the voice is.
JOHN IRVING

Finals Knowing Usually Voice

The lie, of course, is more interesting.

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The lie, of course, is more interesting.

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