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When we read a story, we inhabit it. The covers of the book are like a roof and four walls.

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Book Inhabit Like Reading Real Roof Story Wall

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Compassion has no place in the natural order of the world which operates on the basis of necessity.
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In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
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One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
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The relation between what we see and what we know is never settled. Each evening we see the sun set.
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What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
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Hope is a contraband passed from hand to hand and story to story.
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Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
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If every event which occurred could be given a name, there would be no need for stories.
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Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.
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The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter and model: even if the model is a mountain or a shelf of empty medicine bottles.
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It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.
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We follow songs in order to be enclosed. We find ourselves inside a message.
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Hair is associated with sexual power. With passion.
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By contrast, a woman’s presence… defines what can and cannot be done to her.
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