Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
JOHN BERGERWhat is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
More John Berger Quotes
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Hope is a contraband passed from hand to hand and story to story.
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As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
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The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
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Autobiography begins with a sense of being alone. It is an orphan form.
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These contradictions both hide and increase the natural ambiguity of the photographic image.
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Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
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Compassion has no place in the natural order of the world which operates on the basis of necessity.
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No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
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To be naked is to be oneself.
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Tracing an imaginary line between a cluster of stars gave them an image and an identity.
JOHN BERGER -
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
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There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].
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A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
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When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
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You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER