Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
JOHN BERGERMatisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
More John Berger Quotes
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All publicity works upon anxiety.
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At times failure is very necessary for the artist. It reminds him that failure is not the ultimate disaster. And this reminder liberates him from the mean fussing of perfectionism.
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All creation is in the art of seeing.
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There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].
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Hope is a contraband passed from hand to hand and story to story.
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All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
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One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating.
JOHN BERGER -
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
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A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
JOHN BERGER -
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
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We never look at just one thing; we are always looking at the relation between things and ourselves.
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Glamour cannot exist without personal social envy being a common and widespread emotion.
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What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
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These contradictions both hide and increase the natural ambiguity of the photographic image.
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Men look at women. Women watch themselves being looked at.
JOHN BERGER