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My heart born naked was swaddled in lullabies.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
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The relation between what we see and what we know is never settled. Each evening we see the sun set.
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I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.
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The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter and model: even if the model is a mountain or a shelf of empty medicine bottles.
JOHN BERGER

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The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
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The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
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It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
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Art Bourgeoisie Cinema Discover Learn People Popular Princes Single Sky Vagrant
Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
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A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
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Men look at women. Women watch themselves being looked at.
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The heart of Paris is like nothing so much as the unending interior of a house.
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If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
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Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.
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When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
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We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.
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Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
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