A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
JOHN BERGERShe is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself.
More John Berger Quotes
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Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
JOHN BERGER -
A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
JOHN BERGER -
Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
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The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
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Today the discredit of words is very great.
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Words are so often used in the opposite sense, as a screen of diversion. It’s the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.
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By contrast, a woman’s presence… defines what can and cannot be done to her.
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Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
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It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.
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What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but.
JOHN BERGER -
Those who first invented and then named the constellations were storytellers.
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Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
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What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.
JOHN BERGER -
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER -
The envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER