Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
JOHN BERGERThis is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth.
More John Berger Quotes
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Glamour cannot exist without personal social envy being a common and widespread emotion.
JOHN BERGER -
By contrast, a woman’s presence… defines what can and cannot be done to her.
JOHN BERGER -
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER -
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER -
To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude.
JOHN BERGER -
Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
JOHN BERGER -
Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
JOHN BERGER -
In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles.
JOHN BERGER -
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.
JOHN BERGER -
The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
JOHN BERGER -
Men look at women. Women watch themselves being looked at.
JOHN BERGER -
It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.
JOHN BERGER -
A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
JOHN BERGER






