Men look at women. Women watch themselves being looked at.
JOHN BERGERMen look at women. Women watch themselves being looked at.
JOHN BERGERParis, I believe, is a man in his twenties in love with an older woman.
JOHN BERGERThe past grows gradually around one, like a placenta for dying.
JOHN BERGERYet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
JOHN BERGERThe time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGEREvery painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGERIf every event which occurred could be given a name, there would be no need for stories.
JOHN BERGERA man’s presence suggests what he is capable of doing to you or for you.
JOHN BERGERArt, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.
JOHN BERGERThe opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
JOHN BERGERWhen we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
JOHN BERGERGlamour cannot exist without personal social envy being a common and widespread emotion.
JOHN BERGERWhat makes photography a strange invention is that its primary raw materials are light and time.
JOHN BERGERLater alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
JOHN BERGERA drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
JOHN BERGEROil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGER