I’ve always believed in good music over bad music. I believe in two sorts of musics. And the lines that separate us, I don’t believe in that. That’s for people who need to easily define what they’re hearing. Me, I’m cool with everything and anything I’m hearing that’s music. It comes under one definition for me.
JAY-ZMy brands are an extension of me. They’re close to me. It’s not like running GM, where there’s no emotional attachment.
More Jay-Z Quotes
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Shakespeare was a man who wrote poetry. I’m a man who writes poetry. Why not compare yourself to the best?
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I got love for Damon Dash as I did before. I don’t know if we can be around each other in that way because times have changed. He may be a totally different person.
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I have inherited two of the most important brands in hip-hop, Def Jam and Roc-A-Fella. Reid and Universal Music Group have given me the opportunity to manage the companies I have contributed to my whole career. I feel this is a giant step for me and the entire artist community.
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People are intermingling, hanging out, having fun, enjoying the same music. Hip-hop is not just in the Bronx anymore. It’s worldwide. Everywhere you go, people are listening to hip-hop and partying together. Hip-hop has done that.
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Some people are attracted to vulnerability. From my very first album, I’ve been vulnerable. I’ve always given parts of me, parts of my life – good, bad, ugly. I’ve never put up this image as a super-thug. Also, some people just like the music.
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I learned to ride a ten-speed when I was 4 or 5. My uncle gave me the bike, hand-me-down, and everyone used to stare at me riding up and down this block. I was too short to reach the pedals, so I put my legs through the V of the frame. I was famous. The little kid who could ride the ten-speed.
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You can feel when something’s authentic, and you can feel when it’s not: you know when someone’s trying to make the club record, or trying to make the girl record, or trying to make the thug record. It’s none of that. It’s just my emotions.
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You make your first album, you make some money, and you feel like you still have to show face, like ‘I still go to the projects.’ I’m like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it’s so cool?
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Around 20. I’d been trying to transition from the streets to the music business, but I would make demos and then quit for six months. And I started to realize that I couldn’t be successful until I let the street life go.
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All my businesses are part of the culture, so I have to stay true to whatever I’m feeling at the time, whatever direction I’m heading in.
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As kids we didn’t complain about being poor; we talked about how rich we were going to be and made moves to get the lifestyle we aspired to by any means we could. And as soon as we had a little money, we were eager to show it.
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I’ve got a nice collection of paintings – a Basquiat, a black-and-white Warhol that’s like a Rorschach test, and I commissioned Takashi Murakami to do a ten-foot joint for me. It’s almost like the explosion in Hiroshima with his famous skeleton head. There’s a wall above my fireplace reserved for it.
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Poor people don’t like talking about poverty because even though they might live in the projects surrounded by other poor people and have, like, ten dollars in the bank they don’t like to think of themselves as poor.
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Hip-hop has done so much for racial relations, and I don’t think it’s given the proper credit. It has changed America immensely.
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It’s hilarious a lot of times. You have a conversation with someone, and he’s like, ‘You speak so well!’ I’m like, ‘What do you mean? Do you understand that’s an insult?
JAY-Z