The day Obama got into office, rap was less important because Obama gave kids an alternative. But will rap ever go away? No. There will always be a need for poets.
JAY-ZYou make your first album, you make some money, and you feel like you still have to show face, like ‘I still go to the projects.’ I’m like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it’s so cool?
More Jay-Z Quotes
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I’ve always wanted to stay true to myself, and I’ve managed to do that. People have to accept that.
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I listen to everything – from Sarah McLachlan and Alanis Morissette all the way down to rap like Scarface, UGK and Lauryn Hill.
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If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I’m saying and are going to buy into what I’m doing. Not because it’s the new thing of the moment, but because it’s genuine emotion. Its how I feel. This is how I articulate the world.
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I made the Yankee hat more famous than a Yankee can.
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When the TV version of Annie came on, I was drawn to it. It was the struggle of this poor kid in this environment and how her life changed. It immediately resonated.
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I remember the first time I saw the ‘Sugarhill Gang’ on Soul Train. I was 11 or 12. I was like, ‘What’s going on? How did those guys get on national TV?’ And then, when I was a little older, a rapper from the neighborhood got a record deal. I was shocked.
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You don’t have that fear. So why do you think people get stuck in those boxes? It’s that fear of going back down.
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I try to make music with emotion and integrity. And authenticity.
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You can feel when something’s authentic, and you can feel when it’s not: you know when someone’s trying to make the club record, or trying to make the girl record, or trying to make the thug record. It’s none of that. It’s just my emotions.
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Primarily I see myself as so much more than a rapper. I really believe I am the voice for a lot of people who don’t have that microphone or who can’t rap.
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The challenge is to get everyone to respect music again, to recognize its value.
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My mom always taught me – you know, little boys listen to their moms too much – that whatever you put into something is what you’re going to get out of it.
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Successful people have a bigger fear of failure than people who’ve never done anything because if you haven’t been successful, then you don’t know how it feels to lose it all.
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Around 20. I’d been trying to transition from the streets to the music business, but I would make demos and then quit for six months. And I started to realize that I couldn’t be successful until I let the street life go.
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Wherever I go, I bring the culture with me, so that they can understand that it’s attainable. I didn’t do it any other way than through hip-hop.
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