“What are you talking about? Wait a minute, you’re getting out of the zone.’ People hate when people cross lines.”

I think relationships are broken up because of the media.

Nothing me and Kanye can do musically was gonna match the event of what we were trying to do. So we were trying to deliver an album and experience at one time; that was the idea for ‘Watch The Throne’.

I treat people based on who they really are, not the name. Everyone has to be respectful and be a human being. No one’s above… That’s how I carry it with anybody.

When you’re growing up, your dad is your superhero. Once you’ve let yourself fall that in love with someone, once you put him on such a high pedestal and he lets you down, you never want to experience that pain again.

I’m just saying the producers and people who work on music are getting left out – that’s when it starts getting criminal. It’s like you’re working hard, and you’re not receiving. In any other business, people would be standing before Congress. They have antitrust laws against this kind of behavior.

I know I’m a different person. But nothing can erase that era, those times, those memories, those fights to get ‘Roc-A-fella’ where it was.

I think the problem with people, as they start to mature, they say, ‘Rap is a young man’s game,’ and they keep trying to make young songs. But you don’t know the slang – it changes every day, and you’re just visiting. So you’re trying to be something you’re not, and the audience doesn’t buy into that.

When you have a reputation for making not only good songs but great albums, that in itself creates added artistic pressure. But, at the end of the day, I guess that pressure is something I welcome.

Companies that pretend to care about music and really care about other things – whether it be hardware, whether it be advertising – and now they look at music as a loss leader. And we know music isn’t a loss leader; music is an important part of our lives.

When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this ’cause we both were outcasts.

I don’t profess to be a political rapper, like groups such as ‘Dead Prez’ or ‘Public Enemy’, but I think social commentary should make its way into your music. Speaking on your neighbourhood is social commentary – what happens, what’s going on.

It wasn’t until sixth grade, at P.S. 168, when my teacher took us on a field trip to her house that I realized we were poor.

All my businesses are part of the culture, so I have to stay true to whatever I’m feeling at the time, whatever direction I’m heading in.

Music is the soundtrack to your life. It’s not going to go anywhere. But the way people are purchasing music has changed. It’s not the same anymore. It will never be the same.

My first album was mainly dealing with street issues, and it was ‘coded’: it was called ‘Reasonable Doubt.’ So the things I was talking about…

The burden of poverty isn’t just that you don’t always have the things you need: it’s the feeling of being embarrassed every day of your life, and you’d do anything to lift that burden.

I picked the wrong movie, or I didn’t pursue a character, but everything you do is part of you and you get something from it.

The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I’m talking about.

There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.

It’s so funny when people who are not used to making movies get into it. You just can’t believe how insufferably boring it is.

You don’t have to try to impress your kids. If they’re not getting what they need from you, they will let you know.

The harder you work, the luckier you get” is true in all things.

The next thing I am doing is moving back home to Minnesota and getting involved in politics. I’m looking at a run for Senate in 2008, but in the meantime I am focused on knitting together the progressive network in the upper Midwest.

Our label is very digital-friendly. We try to provide some free stuff to get interest in the band, but we have to pay our artists. They have to get paid.