I love Dr. Evil [from Austin Powers] as a walking, talking, narcissistic manifestation of everything screwed up about human existence – his desire to take over the world, and have the world reflect his own power lust.
JAY ROACHJohn Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.
More Jay Roach Quotes
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John Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.
JAY ROACH -
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
JAY ROACH -
Mini-Me was the pint sized clone that was the perpetuation of Dr. Evil’s own legacy [in Austin Powers]. That concept earned the sequel.
JAY ROACH -
People have an actual bias against there being some kind of popularity for political films, and when they get acknowledged, it helps keep the conversation going.
JAY ROACH -
I’m developing some other things in other genres, including one dramatic piece. So, anything’s possible.
JAY ROACH -
When Dalton Trumbo and his friends joined the Communist Party it was 1943, and Russia was our ally in World War II. This was connected to a very popular movement of artists and intellectuals at that time towards anti fascism, and an alliance with the union movement.
JAY ROACH -
It’s hard to imagine in this day and age the accent in Dalton Trumbo speaking voice, the Mid Atlantic mixture of an English and American dialect, so flowery and oratorical that it almost sounds theatrical. It would be uncool today, no one would ever speak that way.
JAY ROACH -
It was an interesting process trying to get Bob to talk about the film because he’s such a shy person. He generally likes to talk when he really knows he has something to say.
JAY ROACH -
That’s why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
JAY ROACH -
Once you’re a public figure, there’s a certain amount of privacy you do give up.
JAY ROACH -
I don’t stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it’s a comedy or a suspenseful way through it if it’s a drama.
JAY ROACH -
To his credit John Wayne was open about it, he even portrayed a member of the House UnAmerican Activities Committee in a film called ‘Big Jim McClain.’
JAY ROACH -
When I’m shooting, really the audience I’m thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
JAY ROACH -
For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
JAY ROACH -
[Lyndon Baines Johnson ] technique in negotiation would be that he’d lean into you and take away your personal space, it didn’t matter your party affiliation when he was trying to convince you of something.
JAY ROACH