It is my conviction that the public always shows itself more honest in its spontaneity than do those who officially set themselves up as judges of works of art.
I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.
One’s belief that one is sincere is not so dangerous as one’s conviction that one is right. We all feel we are right; but we felt the same way twenty years ago and today we know we weren’t always right.
The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
Music is given to us specifically to make order of things, to move from an anarchic, individualistic state to a regulated, perfectly concious one, which alone insures vitality and durability.
