Miami’s not anybody’s poor cousin. It’s an aspiration to live in this town, not something you have to do to promote yourself like some of the larger cities.
And it’s a – it’s a term that’s based on contempt; it’s a term that’s based on fashion, style, elitism, satanism, and, everything that’s rotten about rock ‘n’ roll.
If you give a good performance, something that gets some feeling across to people, that’s such a rare gift. It’s underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.
I spent most of the eighties, most of my life, riding around in somebody else’s car, in possession of, or ingested of, something illegal, on my way from something illegal to something illegal with many illegal things happening all around me
I was a pretty nice kid. Kind of quiet, but quiet in terms I wasn’t going out and setting fire to anything. I had a big mouth and I was creative type, you know.
The most successful stuff is sold to you as indispensable social information. The message in the music is, ‘We are terribly, terribly slick and suave, and if you listen to us, you can probably get a leg up in society, too.’
I’m not a singer, a walking instrument like Aretha Franklin. When you get an Iggy Pop record, you don’t get “Iggy Sings.” I am also a style of music, an approach.
Second only to the sea, the Miami sky has been the greatest comfort in my life past 50. On a good day, when the wind blows from the south, the light here is diffuse and forgiving.
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