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Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself.

Henri Bergson

Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself.
HENRI BERGSON

Acceptance Art Face Fact Generality Object Practical Reality Social Symbol
Realism is in the work when idealism is in the soul, and it is only through idealism that we resume contact with reality.
HENRI BERGSON

Contact Ideal Reality Resume Work
We are free when our actions emanate from our total personality, when they express it, when they resemble it in the indefinable way a work of art sometimes does the artist.
HENRI BERGSON

Action Artist Expression Freedom
The emotion felt by a man in the presence of nature certainly counts for something in the origin of religions.
HENRI BERGSON

Emotion Feeling Nature Origin Presence Religion
Laughter is, above all, a corrective. Being intended to humiliate, it must make a painful impression on the person against whom it is directed. By laughter, society avenges itself for the liberties taken with it. It would fail in its object if it bore the stamp of sympathy or kindness.
HENRI BERGSON

Boredom Director Humiliate Impression Kindness Laughter Object Pain Society Sympathy
And I also see how this body influences external images: it gives back movement to them.
HENRI BERGSON

Body Influence Movement Myself Return
The movement of the stream is distinct from the river bed, although it must adopt its winding course.
HENRI BERGSON

Movement River Source Stream Wind
When we make the cerebral state the beginning of an action, and in no sense the condition of a perception, we place the perceived images of things outside the image of our body, and thus replace perception within the things themselves.
HENRI BERGSON

Action Beginning Body Image Place State
In just the same way the thousands of successive positions of a runner are contracted into one sole symbolic attitude, which our eye perceives, which art reproduces, and which becomes for everyone the image of a man who runs.
HENRI BERGSON

Art Attitude Eyes Image Ourselves Reproduction Run Success
The motive power of democracy is love.
HENRI BERGSON

Democracy Love Motive Power
There are manifold tones of mental life, or, in other words, our psychic life may be lived at different heights, now nearer to action, now further removed from it, according to the degree of our attention to life.
HENRI BERGSON

Attention Different Life Man Mental Ourselves Remove Tone
It is the very essence of intelligence to coordinate means with a view to a remote end, and to undertake what it does not feel absolutely sure of carrying out.
HENRI BERGSON

Carry Essence Feeling Intelligence View
Intuition is a method of feeling one’s way intellectually into the inner heart of a thing to locate what is unique and inexpressible in it.
HENRI BERGSON

Expression Feeling Heart Intellectual Unique
Some other faculty than the intellect is necessary for the apprehension of reality.
HENRI BERGSON

Intellectual Necessary Reality
You will obtain a vision of matter that is perhaps fatiguing for your imagination, but pure and stripped of what the requirements of life make you add to it in external perception.
HENRI BERGSON

Add Matter Perception Requirement Strip Vision Yourself
If reality impacted directly on our senses and our consciousness, if we could have direct communication between the material world and ourselves, art would be unnecessary.
HENRI BERGSON

Art Communication Direct Necessary Reality

Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself.

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Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself.

Related Topics

Popular Authors

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