black
grey
blue
red
brown
white

I’m going in a really weird I-don’t-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.

Gus Van Sant

When you get to be 23, 24 or 25, you start to freeze up and become an adult.
GUS VAN SANT

Adult Adults Freeze
Yeah, I try to be really calm.
GUS VAN SANT

Calm Trying Yeah
Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.
GUS VAN SANT

Character Cutting Needs
Once you’re directing, you’re kind of in a certain mode, where you’re taking whatever is on the page and forming it into the film that you think it might want to be. So whether it’s my writing or not, I still try to work with it in the same way.
GUS VAN SANT

Thinking Trying Writing
Joanna Priestley is one of the most interesting and adept personal animators and filmmakers. I have enjoyed her work for years and been amazed at how she gets into her own thoughts onto the screen in a very elegant and focused way. You have to see this.
GUS VAN SANT

Amazed Interesting Way Years
The biopic also wasn’t a form that I necessarily believed in, because you can never really get it right, you know? It’s also a form that’s very popular – the straight-ahead biopic.
GUS VAN SANT

Form Knows Popular Very
A lot of times, you’re not necessarily off the page because you haven’t been able to take the time to prepare a character. It’s very easy to find even great actors reading it more like a reading. Things aren’t really coming alive yet, even though you know they will.
GUS VAN SANT

Actor Character Reading
One of the things that is devastating is I realise I haven’t been living a different life than when I was, like, 12. I’m shocked at how reclusive I’ve been since then. I was unaware of it until recently.
GUS VAN SANT

Different Haven Realising
I’d come into filmmaking as a painter so, for me, making ‘Good Will Hunting’ was experimental because I didn’t know how to do it.
GUS VAN SANT

Actors Hunting Movie
I’m going in a really weird I-don’t-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.
GUS VAN SANT

Different Filmmaking Really Weird
I used to take photographs just to remember people.
GUS VAN SANT

People Photograph Remember
Even when you’re making a movie about life, death is a presence, and I guess it’s part of my dramatic viewpoint. I’m not sure why exactly.
GUS VAN SANT

Actors Movie Viewpoints
Casting the locals is my primary concern because all the other things you assume will be manageable.
GUS VAN SANT

Assuming Casting Concern
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our ‘me’ generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
GUS VAN SANT

Climbing Shopping War
In high school, I read ‘Silas Marner’ and I was very attracted to this character – he was very rundown and he’d just stop, and things would happen around him.
GUS VAN SANT

Character High School
No construction stiff working overtime takes more stress and straining than we did just to stay high.
GUS VAN SANT

Addiction Construction Stress

I’m going in a really weird I-don’t-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.

Related Topics

Popular Authors

I’m going in a really weird I-don’t-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.

Related Topics

Popular Authors

More Gus Van Sant Quotes