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Sometimes getting upset with yourself is necessary when you face the truth.

Gus Van Sant

If it were up to the executives, they probably wouldn’t have directors at all.
GUS VAN SANT

Directors Executives Probably
Sometimes getting upset with yourself is necessary when you face the truth.
GUS VAN SANT

Faces Sometimes Upset
I’ve always been interested in how to present something that relates to our reality – which is not really… I don’t even know if documentary itself does as good a job. It has its own problems in trying to get at the reality of the situation.
GUS VAN SANT

Jobs Reality Trying
A lot of times, you’re not necessarily off the page because you haven’t been able to take the time to prepare a character. It’s very easy to find even great actors reading it more like a reading. Things aren’t really coming alive yet, even though you know they will.
GUS VAN SANT

Actor Character Reading
Everything’s changing so fast that it’s sometimes hard to keep up.
GUS VAN SANT

Hard Something Sometimes
I’d come into filmmaking as a painter so, for me, making ‘Good Will Hunting’ was experimental because I didn’t know how to do it.
GUS VAN SANT

Actors Hunting Movie
In rare cases, I’ve had music before I shot the movie. I think that for ‘Good Will Hunting’ I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
GUS VAN SANT

Couple Hunting Thinking
A person’s sexuality is so much more than one word “gay.” No one refers to anyone as just “hetero” because that doesn’t say anything. Sexual identity is broader than a label.
GUS VAN SANT

Anything Gay Identity Say
I have this new theory about films. It’s almost like astrology, where if we started on a Tuesday the film will be different than if we started on a Wednesday. Not because of the planets. It’s that sometimes you start with the wrong balance and the whole thing gets messed up.
GUS VAN SANT

Astrology Balance Tuesday
The area of teenage life is not necessarily rarefied; we’ve all gone through that period. It’s not as rarefied as a western or a space adventure or a gangster film, but it has its own dynamic.
GUS VAN SANT

Adventure Space Teenage
It’s hard to speculate as a human about the afterlife because you’re not in it. And it’s probably as wild and wacky as you could imagine. The idea that people have figured it out, I’m not sure if I can fathom that.
GUS VAN SANT

Afterlife Idea Ideas People
Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.
GUS VAN SANT

Character Cutting Needs
I’m going in a really weird I-don’t-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.
GUS VAN SANT

Different Filmmaking Really Weird
Apparently there’s this kind of songbird that thinks it dies every time the sun goes down. In the morning, when it wakes up, it’s totally shocked to still be alive—so it sings this really beautiful song.
GUS VAN SANT

Beautiful Morning Song
I’ve told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you, because you’re not necessarily able to tell what’s real and what’s not.
GUS VAN SANT

Feelings People Real
Casting the locals is my primary concern because all the other things you assume will be manageable.
GUS VAN SANT

Assuming Casting Concern

Sometimes getting upset with yourself is necessary when you face the truth.

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Sometimes getting upset with yourself is necessary when you face the truth.

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