I’d come into filmmaking as a painter so, for me, making ‘Good Will Hunting’ was experimental because I didn’t know how to do it.
GUS VAN SANTI was once a shameless, full-time dope fiend.
More Gus Van Sant Quotes
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Sometimes getting upset with yourself is necessary when you face the truth.
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I think over the course of 14 films, I’m returning to a place that I know to tell a story… the same way Spielberg returned to fantasy, Lucas returned to the ‘Star Wars’ saga, or John Ford returned to the western.
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When you’re on a film and you’re doubting something, it’s usually because you don’t think the audience is going to like it.
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When you get to be 23, 24 or 25, you start to freeze up and become an adult.
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Free time keeps me going.
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Joanna Priestley is one of the most interesting and adept personal animators and filmmakers. I have enjoyed her work for years and been amazed at how she gets into her own thoughts onto the screen in a very elegant and focused way. You have to see this.
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Yeah, I try to be really calm.
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In high school, I read ‘Silas Marner’ and I was very attracted to this character – he was very rundown and he’d just stop, and things would happen around him.
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A person’s sexuality is so much more than one word “gay.” No one refers to anyone as just “hetero” because that doesn’t say anything. Sexual identity is broader than a label.
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No construction stiff working overtime takes more stress and straining than we did just to stay high.
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Now the music industry is sort of like a Craigslist venture, right? Where you’re making your own records and selling them online.
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In rare cases, I’ve had music before I shot the movie. I think that for ‘Good Will Hunting’ I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
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I’ve told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you, because you’re not necessarily able to tell what’s real and what’s not.
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Modern-day cinema takes the form of a sermon. You don’t get to think, you only get to receive information.
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And Later I Thought, I Can’t Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.
GUS VAN SANT