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When you get to be 23, 24 or 25, you start to freeze up and become an adult.

Gus Van Sant

Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.
GUS VAN SANT

Character Cutting Needs
Modern-day cinema takes the form of a sermon. You don’t get to think, you only get to receive information.
GUS VAN SANT

Cinema Information Thinking
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our ‘me’ generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
GUS VAN SANT

Climbing Shopping War
Free time keeps me going.
GUS VAN SANT

Free Time
Gay marriage is the last bastion of, to me… as a legal, ceremonial, sentimental and religious side, it’s one of the last steps. Retaining your job being one of the earlier steps, like, not getting kicked out of your job because you’re gay.
GUS VAN SANT

Gay Jobs Religious Retain
Sometimes getting upset with yourself is necessary when you face the truth.
GUS VAN SANT

Faces Sometimes Upset
I’d come into filmmaking as a painter so, for me, making ‘Good Will Hunting’ was experimental because I didn’t know how to do it.
GUS VAN SANT

Actors Hunting Movie
I’ve always been interested in how to present something that relates to our reality – which is not really… I don’t even know if documentary itself does as good a job. It has its own problems in trying to get at the reality of the situation.
GUS VAN SANT

Jobs Reality Trying
I’ve told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you, because you’re not necessarily able to tell what’s real and what’s not.
GUS VAN SANT

Feelings People Real
And Later I Thought, I Can’t Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.
GUS VAN SANT

Inspiring Movie Thinking
Once you’re directing, you’re kind of in a certain mode, where you’re taking whatever is on the page and forming it into the film that you think it might want to be. So whether it’s my writing or not, I still try to work with it in the same way.
GUS VAN SANT

Thinking Trying Writing
You never look at the backside of a mirror because when you do, it’ll affect your future because you’re looking at yourself backwards. No, you’re looking at your inner self and you don’t recognize it because you’ve never seen it before.
GUS VAN SANT

Looks Mirrors Self
When you’re on a film and you’re doubting something, it’s usually because you don’t think the audience is going to like it.
GUS VAN SANT

Doubt Film Thinking
Apparently there’s this kind of songbird that thinks it dies every time the sun goes down. In the morning, when it wakes up, it’s totally shocked to still be alive—so it sings this really beautiful song.
GUS VAN SANT

Beautiful Morning Song
Joanna Priestley is one of the most interesting and adept personal animators and filmmakers. I have enjoyed her work for years and been amazed at how she gets into her own thoughts onto the screen in a very elegant and focused way. You have to see this.
GUS VAN SANT

Amazed Interesting Way Years
I used to take photographs just to remember people.
GUS VAN SANT

People Photograph Remember

When you get to be 23, 24 or 25, you start to freeze up and become an adult.

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When you get to be 23, 24 or 25, you start to freeze up and become an adult.

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Popular Authors

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