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If you don’t have the story and the unfolding of the trajectory of the saga, it’s like getting in a car and not having any gas.

Gus Van Sant

It’s hard to speculate as a human about the afterlife because you’re not in it. And it’s probably as wild and wacky as you could imagine. The idea that people have figured it out, I’m not sure if I can fathom that.
GUS VAN SANT

Afterlife Idea Ideas People
Free time keeps me going.
GUS VAN SANT

Free Time
You never look at the backside of a mirror because when you do, it’ll affect your future because you’re looking at yourself backwards. No, you’re looking at your inner self and you don’t recognize it because you’ve never seen it before.
GUS VAN SANT

Looks Mirrors Self
Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.
GUS VAN SANT

Character Cutting Needs
Apparently there’s this kind of songbird that thinks it dies every time the sun goes down. In the morning, when it wakes up, it’s totally shocked to still be alive—so it sings this really beautiful song.
GUS VAN SANT

Beautiful Morning Song
Even when you’re making a movie about life, death is a presence, and I guess it’s part of my dramatic viewpoint. I’m not sure why exactly.
GUS VAN SANT

Actors Movie Viewpoints
Everything’s changing so fast that it’s sometimes hard to keep up.
GUS VAN SANT

Hard Something Sometimes
In high school, I read ‘Silas Marner’ and I was very attracted to this character – he was very rundown and he’d just stop, and things would happen around him.
GUS VAN SANT

Character High School
If you don’t have the story and the unfolding of the trajectory of the saga, it’s like getting in a car and not having any gas.
GUS VAN SANT

Car Stories Unfolding
Once you’re directing, you’re kind of in a certain mode, where you’re taking whatever is on the page and forming it into the film that you think it might want to be. So whether it’s my writing or not, I still try to work with it in the same way.
GUS VAN SANT

Thinking Trying Writing
Free time keeps me going. It’s just something that’s always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
GUS VAN SANT

Dramatic Film Trying
When you’re on a film and you’re doubting something, it’s usually because you don’t think the audience is going to like it.
GUS VAN SANT

Doubt Film Thinking
If it were up to the executives, they probably wouldn’t have directors at all.
GUS VAN SANT

Directors Executives Probably
I was once a shameless, full-time dope fiend.
GUS VAN SANT

Dope Full Shameless
I used to take photographs just to remember people.
GUS VAN SANT

People Photograph Remember
Yeah, I try to be really calm.
GUS VAN SANT

Calm Trying Yeah

If you don’t have the story and the unfolding of the trajectory of the saga, it’s like getting in a car and not having any gas.

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If you don’t have the story and the unfolding of the trajectory of the saga, it’s like getting in a car and not having any gas.

Related Topics

Popular Authors

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