If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
GUILLERMO DEL TOROPeople think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
More Guillermo del Toro Quotes
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
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What happens to me is that I am first and foremost a film geek.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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I think there is a very quiet power in things that are not on screen
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Movies that look safe are less interesting.
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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