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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.

Guillermo del Toro

I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
GUILLERMO DEL TORO

Important Real Thinking
When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
GUILLERMO DEL TORO

Country People Vivid Way
I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
GUILLERMO DEL TORO

Country Different People Produce
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
GUILLERMO DEL TORO

Guy Makeup Trying
We’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
GUILLERMO DEL TORO

Groups Three World
For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TORO

Backbone Devil Neurotic
There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
GUILLERMO DEL TORO

Boundaries Crosses Horror
Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
GUILLERMO DEL TORO

Fun Ghost Stories Way
When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
GUILLERMO DEL TORO

Common Country Long People
Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
GUILLERMO DEL TORO

Kids Violence Violent
I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
GUILLERMO DEL TORO

Eye Sound Thinking
If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
GUILLERMO DEL TORO

Film Responsible Storytelling
I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
GUILLERMO DEL TORO

Injustice Projects Superhero
I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
GUILLERMO DEL TORO

Actors Attitude Pantomime
As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
GUILLERMO DEL TORO

Cutting Directors Finals
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
GUILLERMO DEL TORO

Devil Ghost Stories Thinking

I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.

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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.

Related Topics

Popular Authors

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