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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.

Guillermo del Toro

I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
GUILLERMO DEL TORO

Horror People Thinking
There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
GUILLERMO DEL TORO

Compromise Despair Easy
I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
GUILLERMO DEL TORO

Block Retreat Want
…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
GUILLERMO DEL TORO

Love Maternal might Spiritual
In real life, what scares me is politicians, corporations and people that think they know what the world should be.
GUILLERMO DEL TORO

People Real Thinking
Genius is the true mystery, and at its edge–the abyss.
GUILLERMO DEL TORO

Abyss Genius Mystery
I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
GUILLERMO DEL TORO

Actor Comfort Lasts Way
For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TORO

Backbone Devil Neurotic
As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
GUILLERMO DEL TORO

Cutting Directors Finals
If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
GUILLERMO DEL TORO

Film Responsible Storytelling
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
GUILLERMO DEL TORO

Guy Makeup Trying
There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
GUILLERMO DEL TORO

Done Portraits Style
There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
GUILLERMO DEL TORO

Boundaries Crosses Horror
I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
GUILLERMO DEL TORO

Character House Needs
You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
GUILLERMO DEL TORO

Broken Hard Thinking Work
I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
GUILLERMO DEL TORO

Guy Nice Questions Tough

I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.

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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.

Related Topics

Popular Authors

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