If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
GUILLERMO DEL TOROIts a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
More Guillermo del Toro Quotes
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What happens to me is that I am first and foremost a film geek.
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I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
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When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
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In real life, what scares me is politicians, corporations and people that think they know what the world should be.
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You have to believe the magic to see it.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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