I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
GUILLERMO DEL TOROThere are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
More Guillermo del Toro Quotes
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You have to believe the magic to see it.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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