I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
GUILLERMO DEL TOROAt some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
More Guillermo del Toro Quotes
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You give yourself to the world for people to either praise or destroy.
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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I only produce directors and movies that I have a lot in common with.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
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I like John Carpenter. I like some of his films more than others
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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