I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
GUILLERMO DEL TOROAt some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
More Guillermo del Toro Quotes
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There is beautiful in the grotesque.
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Genius is the true mystery, and at its edge–the abyss.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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I think there is a very quiet power in things that are not on screen
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TORO