In real life, what scares me is politicians, corporations and people that think they know what the world should be.
GUILLERMO DEL TOROAt some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
More Guillermo del Toro Quotes
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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I only produce directors and movies that I have a lot in common with.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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What happens to me is that I am first and foremost a film geek.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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