When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
GUILLERMO DEL TOROI’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
More Guillermo del Toro Quotes
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I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
GUILLERMO DEL TORO