I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
GUILLERMO DEL TOROFor me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
More Guillermo del Toro Quotes
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You have to believe the magic to see it.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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There is beautiful in the grotesque.
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Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
GUILLERMO DEL TORO