In real life, what scares me is politicians, corporations and people that think they know what the world should be.
GUILLERMO DEL TOROFor me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
More Guillermo del Toro Quotes
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I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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There is beautiful in the grotesque.
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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Movies that look safe are less interesting.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
GUILLERMO DEL TORO