I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
GUILLERMO DEL TOROYou have to believe the magic to see it.
More Guillermo del Toro Quotes
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Genius is the true mystery, and at its edge–the abyss.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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I only produce directors and movies that I have a lot in common with.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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There is beautiful in the grotesque.
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