I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
GUILLERMO DEL TOROWe’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
More Guillermo del Toro Quotes
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Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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Movies that look safe are less interesting.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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I only produce directors and movies that I have a lot in common with.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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You give yourself to the world for people to either praise or destroy.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
GUILLERMO DEL TORO