It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
GUILLERMO DEL TOROWe’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
More Guillermo del Toro Quotes
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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What happens to me is that I am first and foremost a film geek.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
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When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
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But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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Movies that look safe are less interesting.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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