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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.

Guillermo del Toro

People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
GUILLERMO DEL TORO

People Thinking Waiting
I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
GUILLERMO DEL TORO

Horror People Thinking
I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
GUILLERMO DEL TORO

Injustice Projects Superhero
I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
GUILLERMO DEL TORO

Genre Halloween Horror Independent
I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
GUILLERMO DEL TORO

Creepy Kids Teeth
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
GUILLERMO DEL TORO

Devil Ghost Stories Thinking
If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
GUILLERMO DEL TORO

Film Responsible Storytelling
Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
GUILLERMO DEL TORO

Kids Violence Violent
I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
GUILLERMO DEL TORO

Powerful Strong Thinking
I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
GUILLERMO DEL TORO

Important Real Thinking
I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
GUILLERMO DEL TORO

Actors Attitude Pantomime
There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
GUILLERMO DEL TORO

Done Portraits Style
Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
GUILLERMO DEL TORO

Powerful Unseen Way
I think there is a very quiet power in things that are not on screen
GUILLERMO DEL TORO

Power Quiet Thinking
You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
GUILLERMO DEL TORO

Impossible Retrospect Void
I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
GUILLERMO DEL TORO

Guy Nice Questions Tough

When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.

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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.

Related Topics

Popular Authors

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