I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
GUILLERMO DEL TOROWhen you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
More Guillermo del Toro Quotes
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What happens to me is that I am first and foremost a film geek.
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It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
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I think there is a very quiet power in things that are not on screen
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Movies that look safe are less interesting.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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You give yourself to the world for people to either praise or destroy.
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What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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