Reading something from beginning to end. That is reading with love.
GILLES DELEUZEThings never pass where you think, nor along the paths you think.
More Gilles Deleuze Quotes
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Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political.
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There’s no democratic state that’s not compromised to the very core by its part in generating human misery.
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Let us create extraordinary words, on condition that they be put to the most ordinary use and that the entity they designate be made to exist in the same way as the most common object.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
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Nietzsche’s break with Schopenhauer rests on precisely this point; it is a matter of knowing whether the will is unitary or multiple.
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It’s not easy to see things from the middle, rather than looking down on them from above or up at them from below, or from left to right or right to left: try it, you’ll see that everything changes.
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The instinct of revenge is the force which constitutes the essence of what we call psychology, history, metaphysics and morality. The spirit of revenge is the genealogical element of our thought, the transcendental principle of our way of thinking.
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The percept is the landscape before man, in the absence of man.
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According to Beckett’s or Kafka’s law, there is immobility beyond movement: beyond standing up, there is sitting down, and beyond sitting down, lying down, beyond which one finally dissipates.
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A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.
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Either it is the fold of the infinite, or the constant folds [replis] of finitude which curve the outside and constitute the inside.
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Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
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The philosopher creates, he doesn’t reflect.
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In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.
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Evaluations, in essence, are ways of being, modes of existence of those who judge and evaluate.
GILLES DELEUZE