Evaluations, in essence, are ways of being, modes of existence of those who judge and evaluate.
GILLES DELEUZEBring something incomprehensible into the world!
More Gilles Deleuze Quotes
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Art is not communicative, art is not reflexive. Art, science, philosophy are neither contemplative, neither reflexive, nor communicative. They are creative, that’s all.
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I believe strongly that philosophy has nothing to do with specialists.
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To affirm is not to bear, carry, or harness oneself to that which exists, but on the contrary to unburden, unharness, and set free that which lives.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
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An image of thought called philosophy has been formed historically and it effectively stops people from thinking.
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Every time someone puts an objection to me, I want to say: ‘OK, OK, let’s go on to something else.’ Objections have never contributed anything.
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External images act on me, transmit movement to me, and I return movement: how could images be in my consciousness since I am myself image, that is, movement?
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Far from being a psychological trait, the spirit of revenge is the principle on which our whole psychology depends.
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Psychoanalysts are bent on producing man abstractly, that is to say ideologically, for culture. It is Oedipus who produces man in this fashion and who gives a structure to the false movement of infinite progression and regression.
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Something in the world forces us to think. This something is an object not of recognition but of a fundamental encounter.
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According to Beckett’s or Kafka’s law, there is immobility beyond movement: beyond standing up, there is sitting down, and beyond sitting down, lying down, beyond which one finally dissipates.
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Can you harness the power of drugs without them taking over, without turning into a dazed zombie?
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Philosophy is not in a state of external reflection on other domains, but in a state of active and internal alliance with them, and it is neither more abstract nor more difficult.
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Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
GILLES DELEUZE