When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
GEORGE SAUNDERSWhen we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
More George Saunders Quotes
-
-
There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
GEORGE SAUNDERS -
My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
GEORGE SAUNDERS -
…There is no end to the making and selling of things there is no end to the making and selling of things there is no end… Man, it occurs to me, is a joyful, buying-and-selling piece of work. I have been wrong, dead wrong, when I’ve decried consumerism.
GEORGE SAUNDERS -
With nonfiction, I go in trying to be really honest about what my preconceptions are.
GEORGE SAUNDERS -
That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
GEORGE SAUNDERS -
Our first responsibility in all things is to preserve our goodness of heart – then and only then act.
GEORGE SAUNDERS -
Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
GEORGE SAUNDERS -
I started out in engineering. I was a geophysical engineer. Throughout the course of my life I’ve done a lot of strange jobs, and the effect has been to make me think a little more skeptically about our capitalist society.
GEORGE SAUNDERS -
I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
GEORGE SAUNDERS -
Art is not some inessential frippery – it is the nation’s means of intelligently regarding itself. To cripple or stigmatize the arts is to doom one’s nation to a life of incuriosity, dullness, literalness and the worst kind of rank materialism.
GEORGE SAUNDERS -
I do find the values in A Christmas Carol significant. It is important not to be mean and stingy and not to give up love for money.
GEORGE SAUNDERS -
The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
GEORGE SAUNDERS -
If I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
GEORGE SAUNDERS -
It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
GEORGE SAUNDERS -
I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that’s my issue.
GEORGE SAUNDERS