I think that fiction has a part to play in urging us, as a species, toward compassion.
GEORGE SAUNDERSFor me, when I’m coming up to a place where I have to make somebody up, it’s almost like driving and taking your hands off the wheel.
More George Saunders Quotes
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My stories, I can understand them as a little toy that you wind up and you put it on the floor and it just goes under the coach. That I get. Beyond that, I’m a little lost.
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The book says [Lincoln in the Bardo],”I really need this sci-fi device of a ghost inhabiting another person.” You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
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Every step was a victory. He had to remember that.
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When I was a kid, I took ‘The Brady Bunch’ and ‘The Partridge Family’ very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.
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I actually believe that a lot of what people call originality has to do with persistence in the craft.
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If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
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Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.
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You can say you’re a liberal and everybody laughs and it’s a good time.
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I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
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I think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.
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Social media sometimes feels like a vehicle for one-dimensional sniping, more than true criticism.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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Twitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: ‘Oh, I should tweet about this.’
GEORGE SAUNDERS