My go-to default is to try to be nice, which I feel does less harm in the long run than trying to be, say, assertive. If I am nice and maybe too passive, I find that easier to live with.
GEORGE SAUNDERSWhen I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
More George Saunders Quotes
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I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that “reader” is actually just me, if I had never read the story before.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
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My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
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For me, when I’m coming up to a place where I have to make somebody up, it’s almost like driving and taking your hands off the wheel.
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Humor is what happens when we’re told the truth quicker and more directly than we’re used to.
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The artist’s job, I think, is to be a conduit for mystery.
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I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
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The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
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Your first responsibility is to yourself and to your own goodness of heart.
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I understand what something short should be like. I understand beauty in that form. If I start extending, somehow I kind of lose my bearings.
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Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
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I’m from a pretty working-class background, and I really worked hard in my life to eradicate those parts of myself that were stupidly trapped in that world.Those of us who come up that way made a series of choices to benefit ourselves and make ourselves more generous and open.
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I heard Zen teacher one time talking about abortion, and he was saying the way that abortion makes bad karma is any time the person involved pretends that there’s not a cost to the choice.
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The thing I’ve discovered that is a help is that there isn’t a simple virtue or a simple vice. They’re always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
GEORGE SAUNDERS