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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.

George Saunders

As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
GEORGE SAUNDERS

Fiction God Kindness Life
When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
GEORGE SAUNDERS

Adversity Character Want
I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
GEORGE SAUNDERS

Birthday Drama Rain
I always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERS

Air Stories Writing
The book says [Lincoln in the Bardo],”I really need this sci-fi device of a ghost inhabiting another person.” You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
GEORGE SAUNDERS

Book Kind Needs Structure
According to me, your life is going to be a gradual process of becoming kinder and more loving. Hurry up. Speed it along. Start right now.
GEORGE SAUNDERS

Becoming Graduation Life
I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
GEORGE SAUNDERS

Moving Names Thinking
I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
GEORGE SAUNDERS

Class Frustration Political
When you’re embarking on a piece of writing, the anxiety is just too much, especially when you’re young and you’re trying to figure out if this is your thing or not. You feel like, “if I don’t write a good story, I gotta get going to law school!”
GEORGE SAUNDERS

Good Law School Writing
In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
GEORGE SAUNDERS

Actually Kissing Reading Two
There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
GEORGE SAUNDERS

Ceiling Culture Self
Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
GEORGE SAUNDERS

Jobs Stuff Young Writers
America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
GEORGE SAUNDERS

America Nuts Voice
Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
GEORGE SAUNDERS

Harsh Life Stories
Goodbye. I’m leaving because I’m bored.
GEORGE SAUNDERS

Bored Goodbye Leaving
Success makes opportunities and so many of those “opportunities” are actually exemptions – from hardship, from unfriendliness, from struggle.
GEORGE SAUNDERS

Hardship Opportunity Struggle

The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.

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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.

Related Topics

Popular Authors

More George Saunders Quotes