The artist’s job, I think, is to be a conduit for mystery.
GEORGE SAUNDERSThe artist’s job, I think, is to be a conduit for mystery.
GEORGE SAUNDERSI know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
GEORGE SAUNDERSIt was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
GEORGE SAUNDERSAt times, they’re so Right and I’m so Left, we agree.
GEORGE SAUNDERSChekhov – shall I be blunt? – is the greatest short story writer who ever lived.
GEORGE SAUNDERSWhatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
GEORGE SAUNDERSI was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
GEORGE SAUNDERSEvery step was a victory. He had to remember that.
GEORGE SAUNDERSLife is short, very short, and what are we doing here if not trying to become more generous and loving?
GEORGE SAUNDERSWhen I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn’t quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
GEORGE SAUNDERSI’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
GEORGE SAUNDERSWe have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
GEORGE SAUNDERSI think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it’s a nice way to neutralize that polarization.
GEORGE SAUNDERSI always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERSThe idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
GEORGE SAUNDERSThere comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
GEORGE SAUNDERS