If I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
GEORGE SAUNDERSI tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
More George Saunders Quotes
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If you bring forth what is within you, it will save you. If you do not bring it forth, it will destroy you.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
GEORGE SAUNDERS -
When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn’t quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
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Early on, a story’s meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it – and so things have to be ramped up.
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With nonfiction, I go in trying to be really honest about what my preconceptions are.
GEORGE SAUNDERS -
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it’s a nice way to neutralize that polarization.
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I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that “reader” is actually just me, if I had never read the story before.
GEORGE SAUNDERS -
As a writer I’m essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
GEORGE SAUNDERS -
My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
GEORGE SAUNDERS -
Twitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: ‘Oh, I should tweet about this.’
GEORGE SAUNDERS -
Someone told me once – I mean I said, “Is it ok that I don’t really know what the three-act structure is?” And he said, “It’s basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down.”
GEORGE SAUNDERS -
I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
GEORGE SAUNDERS -
I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
GEORGE SAUNDERS -
One of the things I noticed about the Trump supporters was a lot of projected fear. I can’t tell you how many times a conversation went like this: “We’ve got to stop these immigrants, because it’s terrible.” I’d say, “Okay, what personally have you observed about this?” And there would be basically nothing in that box. And I’d say, “Where’d you get your information?” thinking they were going to say Fox. But they would always say, “Well, I get my information from all kinds of sources.” Fox is kind of center-left to a lot of people now.
GEORGE SAUNDERS -
I actually believe that a lot of what people call originality has to do with persistence in the craft.
GEORGE SAUNDERS







