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I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.

George Saunders

Goodbye. I’m leaving because I’m bored.
GEORGE SAUNDERS

Bored Goodbye Leaving
With nonfiction, I go in trying to be really honest about what my preconceptions are.
GEORGE SAUNDERS

Honest Nonfiction Trying
I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
GEORGE SAUNDERS

Challenges Ideas Writing
When I was a kid, I took ‘The Brady Bunch’ and ‘The Partridge Family’ very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.
GEORGE SAUNDERS

Greek Kids World
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that “reader” is actually just me, if I had never read the story before.
GEORGE SAUNDERS

Actually Kind Mood Odd Stories
An artist’s job is to be interested in things as they are.
GEORGE SAUNDERS

Artist Interested Jobs
When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
GEORGE SAUNDERS

Aware Stories Want World
My go-to default is to try to be nice, which I feel does less harm in the long run than trying to be, say, assertive. If I am nice and maybe too passive, I find that easier to live with.
GEORGE SAUNDERS

Long Nice Running
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
GEORGE SAUNDERS

Action Humans Light
We have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
GEORGE SAUNDERS

Moving People Thinking
Our first responsibility in all things is to preserve our goodness of heart – then and only then act.
GEORGE SAUNDERS

Firsts Heart Responsibility
When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
GEORGE SAUNDERS

Fiction Fragmented Thinking
If I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
GEORGE SAUNDERS

Intimacy Reader Respectful
That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
GEORGE SAUNDERS

Add Figures Way
My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
GEORGE SAUNDERS

Ideas Trying Writing
Compassion doesn’t have to be weak or enabling; it can also be quite bold.
GEORGE SAUNDERS

Compassion Enabling Weak

I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.

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I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.

Related Topics

Popular Authors

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