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One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.

George Saunders

The thing I’ve discovered that is a help is that there isn’t a simple virtue or a simple vice. They’re always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
GEORGE SAUNDERS

Love Simple Vices
All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
GEORGE SAUNDERS

Contribute Emotion Service Writing
Every step was a victory. He had to remember that.
GEORGE SAUNDERS

Remember Steps Victory
In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
GEORGE SAUNDERS

Actually Kissing Reading Two
Goodbye. I’m leaving because I’m bored.
GEORGE SAUNDERS

Bored Goodbye Leaving
One of the ways that we cope with anxiety is by over planning and over controlling. If we know where it’s going to, we can just relax and do it.
GEORGE SAUNDERS

Anxiety Relax Stories
Fiction is open to whoever comes in the door, as long as you come in energetically.
GEORGE SAUNDERS

Doors Fiction Energetically Long
I want something a little more confident and more sure of the values that we’re defending, which are the old ones, love and empathy and patience and tolerance and civility. Not to get into politics or anything.
GEORGE SAUNDERS

Confident Defending Empathy Want
The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we’re ruled by big talking turds, it doesn’t mean that we are. So you shouldn’t feel depressed.
GEORGE SAUNDERS

Depressed Hopeful Mean Talking
When you’re embarking on a piece of writing, the anxiety is just too much, especially when you’re young and you’re trying to figure out if this is your thing or not. You feel like, “if I don’t write a good story, I gotta get going to law school!”
GEORGE SAUNDERS

Good Law School Writing
If you’re going to make an emotional connection with somebody, whether it’s in the story or in the world, there’s a certain amount of self-acceptance that is required.
GEORGE SAUNDERS

Acceptance Emotional Self
It seems to me that there are certain thoughts and vignettes and attitudes that I have always had the desire to represent.
GEORGE SAUNDERS

Attitude Desire Vignettes
One of the inspiring things about Susan Sarandon career is that there’s a quality of real fearlessness in it – you seem to be in it for the challenge and the experience.
GEORGE SAUNDERS

Careers Challenges Real
The book says [Lincoln in the Bardo],”I really need this sci-fi device of a ghost inhabiting another person.” You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
GEORGE SAUNDERS

Book Kind Needs Structure
An artist’s job is to be interested in things as they are.
GEORGE SAUNDERS

Artist Interested Jobs
I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that’s my issue.
GEORGE SAUNDERS

Issues Kids Thinking

One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.

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One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.

Related Topics

Popular Authors

More George Saunders Quotes