The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
GEORGE SAUNDERSOne of the things I noticed about the Trump supporters was a lot of projected fear. I can’t tell you how many times a conversation went like this: “We’ve got to stop these immigrants, because it’s terrible.” I’d say, “Okay, what personally have you observed about this?” And there would be basically nothing in that box. And I’d say, “Where’d you get your information?” thinking they were going to say Fox. But they would always say, “Well, I get my information from all kinds of sources.” Fox is kind of center-left to a lot of people now.
More George Saunders Quotes
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For me, when I’m coming up to a place where I have to make somebody up, it’s almost like driving and taking your hands off the wheel.
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He was a father. That’s what a father does.Eases the burdens of those he loves. Saves the ones he loves from painful last images that might endure for a lifetime.
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Early on, a story’s meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it – and so things have to be ramped up.
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[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.
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I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
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Developing our sympathetic compassion is not only possible but the only reason for us to be here on earth.
GEORGE SAUNDERS -
One of the things I noticed about the Trump supporters was a lot of projected fear. I can’t tell you how many times a conversation went like this: “We’ve got to stop these immigrants, because it’s terrible.” I’d say, “Okay, what personally have you observed about this?” And there would be basically nothing in that box. And I’d say, “Where’d you get your information?” thinking they were going to say Fox. But they would always say, “Well, I get my information from all kinds of sources.” Fox is kind of center-left to a lot of people now.
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I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
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Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
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And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
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In my case, when I am trying to be “kind” I often default in a sort of toothless loving-all stance that is, actually, not kind, because it is not truthful.
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That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
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I do find the values in A Christmas Carol significant. It is important not to be mean and stingy and not to give up love for money.
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When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
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The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
GEORGE SAUNDERS