I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
GEORGE SAUNDERSThe idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
More George Saunders Quotes
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I’m getting anxious, I’m getting more manic. Now, I’m an extreme case because I’m old and I’m overdoing it. But still, it’s really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.
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What’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
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I was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.
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I have finally realized that, you know, it’s not a given that my lifespan will accommodate my writing aspirations.
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Success makes opportunities and so many of those “opportunities” are actually exemptions – from hardship, from unfriendliness, from struggle.
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All traditions are also full of meanness for the sake of meanness.
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I started out in engineering. I was a geophysical engineer. Throughout the course of my life I’ve done a lot of strange jobs, and the effect has been to make me think a little more skeptically about our capitalist society.
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If I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
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I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
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A culture’s ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
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You can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it’s not totally satisfied.
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All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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One of the inspiring things about Susan Sarandon career is that there’s a quality of real fearlessness in it – you seem to be in it for the challenge and the experience.
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I find that the great artists I’ve met are people who are so playfully invested in their process that, even if it doesn’t come out the way they like, they still power through and even take energy from it.
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To understand any plea for further consideration of a group you don’t know anything about to be some form of, quote, political correctness. These things are bubbling right under us.
GEORGE SAUNDERS







