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I think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.

George Saunders

And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
GEORGE SAUNDERS

Beauty Make Model Something
America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
GEORGE SAUNDERS

America Nuts Voice
I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
GEORGE SAUNDERS

Challenges Ideas Writing
You don’t want to be that parent – the one who dresses his kid in a cloth sack when all the other kids are in Armani cloth sacks – especially in a time like ours, when materialism is not only rampant and ascendant but is fast becoming the only game in town.
GEORGE SAUNDERS

Games Kids Parent
I think that fiction has a part to play in urging us, as a species, toward compassion.
GEORGE SAUNDERS

Compassion Play Thinking
Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
GEORGE SAUNDERS

Harsh Life Stories
I do find the values in A Christmas Carol significant. It is important not to be mean and stingy and not to give up love for money.
GEORGE SAUNDERS

Giving Important Mean Up
In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
GEORGE SAUNDERS

Actually Kissing Reading Two
One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.
GEORGE SAUNDERS

Free One Responsinbty Thing Time
The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we’re ruled by big talking turds, it doesn’t mean that we are. So you shouldn’t feel depressed.
GEORGE SAUNDERS

Depressed Hopeful Mean Talking
I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
GEORGE SAUNDERS

Birthday Drama Rain
You can say you’re a liberal and everybody laughs and it’s a good time.
GEORGE SAUNDERS

Good Laughing Times
The greatest thing about writing a book is that at first it’s all inchoate, but the more you work on it, the more the book teaches you its internal rules.
GEORGE SAUNDERS

Book Firsts Rules Writing
I often wonder if there are certain areas of real life that are roped off, with a sign saying, “Art, don’t come in here.” But that’s maybe a deeper question.
GEORGE SAUNDERS

Art Real Wonder
For me, when I’m coming up to a place where I have to make somebody up, it’s almost like driving and taking your hands off the wheel.
GEORGE SAUNDERS

Driving Hands Wheels
Monologue is the most honest way to represent human beings.
GEORGE SAUNDERS

Honest Monologues Way

I think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.

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I think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.

Related Topics

Popular Authors

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