I heard Zen teacher one time talking about abortion, and he was saying the way that abortion makes bad karma is any time the person involved pretends that there’s not a cost to the choice.
GEORGE SAUNDERSDeveloping our sympathetic compassion is not only possible but the only reason for us to be here on earth.
More George Saunders Quotes
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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I read to make myself feel awake.
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In the absolute sense – kind of from the God’s-eye view – God might feel like, “I made this thing that has all of that in it, all the horror and all the beauty.”
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The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
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Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
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I read Rand and thought, “I want to be one of the earth movers, the scientific people who power the world. I don’t want to be one of these lisping liberal artsy leeches.” So I was working against my actual abilities.
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What’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
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According to me, your life is going to be a gradual process of becoming kinder and more loving. Hurry up. Speed it along. Start right now.
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You can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it’s not totally satisfied.
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The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
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Even when the faith goes away, there’s that space where you crave something bigger than yourself. For me, that’s kind of where art came in, after that.
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I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
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A culture’s ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
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Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
GEORGE SAUNDERS