We’re in the transition between birth and death. But the one that people often know about is the transition between the moment of death and whatever comes next, so reincarnation or heaven or hell.
GEORGE SAUNDERSI understand what something short should be like. I understand beauty in that form. If I start extending, somehow I kind of lose my bearings.
More George Saunders Quotes
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I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
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And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
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In my case, when I am trying to be “kind” I often default in a sort of toothless loving-all stance that is, actually, not kind, because it is not truthful.
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What’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
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So here’s something I know to be true, although it’s a little corny, and I don’t quite know what to do with it.
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I understand what something short should be like. I understand beauty in that form. If I start extending, somehow I kind of lose my bearings.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
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It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
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One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.
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An artist’s job is to be interested in things as they are.
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We have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
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