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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.

George Saunders

He was a father. That’s what a father does.Eases the burdens of those he loves. Saves the ones he loves from painful last images that might endure for a lifetime.
GEORGE SAUNDERS

Dad Day Ease Fathers
I think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.
GEORGE SAUNDERS

Choices Mind Thinking
If you’re going to make an emotional connection with somebody, whether it’s in the story or in the world, there’s a certain amount of self-acceptance that is required.
GEORGE SAUNDERS

Acceptance Emotional Self
One of the ways that we cope with anxiety is by over planning and over controlling. If we know where it’s going to, we can just relax and do it.
GEORGE SAUNDERS

Anxiety Relax Stories
And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
GEORGE SAUNDERS

Beauty Make Model Something
In my case, when I am trying to be “kind” I often default in a sort of toothless loving-all stance that is, actually, not kind, because it is not truthful.
GEORGE SAUNDERS

Be Kind Truthful Trying
What’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
GEORGE SAUNDERS

Helping Technology Way
When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
GEORGE SAUNDERS

Fiction Fragmented Thinking
I don’t feel like I have the intelligence to really inhabit a consistently high level of prose.
GEORGE SAUNDERS

Feels Levels Prose
So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
GEORGE SAUNDERS

Art Life Long Short
I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
GEORGE SAUNDERS

Book Stories Thinking
If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
GEORGE SAUNDERS

Ground Higher Luck Needs
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that “reader” is actually just me, if I had never read the story before.
GEORGE SAUNDERS

Actually Kind Mood Odd Stories
I’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
GEORGE SAUNDERS

Littles Short Stories Story
I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
GEORGE SAUNDERS

Deep Dynamite Remotely
That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
GEORGE SAUNDERS

Add Figures Way

I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.

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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.

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Popular Authors

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