As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn’t really planned or planted.
GEORGE SAUNDERSIf I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
More George Saunders Quotes
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I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
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The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
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I’m not a natural criticizer – I prefer to like and praise and so on.
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Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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I heard Zen teacher one time talking about abortion, and he was saying the way that abortion makes bad karma is any time the person involved pretends that there’s not a cost to the choice.
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So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
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Based on the experience of my life, which I have not exactly hit out of the park, I tend to agree with that thing about, If it’s not broke, don’t fix it. And would go even further to: Even if it is broke, leave it alone, you’ll probably make it worse.
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Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
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The greatest thing about writing a book is that at first it’s all inchoate, but the more you work on it, the more the book teaches you its internal rules.
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The artist’s job, I think, is to be a conduit for mystery.
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Whenever you talk about writing I think you have to remember that it all has a big question mark over it – every word has a big question mark over it.
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Whatever happens when we die, it would be really weird if it was what we had expected. Even if you were a lifelong Christian believer, it would be kind of weird if there actually were pearly gates.
GEORGE SAUNDERS