Fiction is open to whoever comes in the door, as long as you come in energetically.
GEORGE SAUNDERSIf I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
More George Saunders Quotes
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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In the absolute sense – kind of from the God’s-eye view – God might feel like, “I made this thing that has all of that in it, all the horror and all the beauty.”
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All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
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I think kindness is a sort of gateway virtue – having that simple aspiration can get you into deep water very quickly – in a good way.
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The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
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Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
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The greatest thing about writing a book is that at first it’s all inchoate, but the more you work on it, the more the book teaches you its internal rules.
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America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
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The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
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Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
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He was a father. That’s what a father does.Eases the burdens of those he loves. Saves the ones he loves from painful last images that might endure for a lifetime.
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We’re in the transition between birth and death. But the one that people often know about is the transition between the moment of death and whatever comes next, so reincarnation or heaven or hell.
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Compassion doesn’t have to be weak or enabling; it can also be quite bold.
GEORGE SAUNDERS