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[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.

George Saunders

The book says [Lincoln in the Bardo],”I really need this sci-fi device of a ghost inhabiting another person.” You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
GEORGE SAUNDERS

Book Kind Needs Structure
I’m turning 58, and you get that kind of weird, old-guy feeling of you don’t have an infinite number of years left and if there’s anything you want to say or represent, it’s time to try it.
GEORGE SAUNDERS

Guy Numbers Years
It seems to me that there are certain thoughts and vignettes and attitudes that I have always had the desire to represent.
GEORGE SAUNDERS

Attitude Desire Vignettes
I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
GEORGE SAUNDERS

Arise Art Future People Satisfy Thinking
With nonfiction, I go in trying to be really honest about what my preconceptions are.
GEORGE SAUNDERS

Honest Nonfiction Trying
In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
GEORGE SAUNDERS

Actually Kissing Reading Two
I’m a big lover of America. I love the people, but also the weird berms, the strange little high schools tucked away in different places, and just the whole geography and the psychological apparatus of Americans.
GEORGE SAUNDERS

Country People School
If I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
GEORGE SAUNDERS

Intimacy Reader Respectful
All traditions are also full of meanness for the sake of meanness.
GEORGE SAUNDERS

Meanness Sake Tradition
When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
GEORGE SAUNDERS

Empathy Feelings Thinking
Your first responsibility is to yourself and to your own goodness of heart.
GEORGE SAUNDERS

Firsts Heart Responsibility
There’s a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him – or he starts to see it having a life of its own that doesn’t have anything to do with his ego or his desire to ‘be a good writer’.
GEORGE SAUNDERS

Feelings Nice Writing
When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn’t quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
GEORGE SAUNDERS

Anti Love Moving Pieces
Anyone can be shamed, but feeling guilt requires empathy within.
GEORGE SAUNDERS

Empathy Feelings Guilt
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
GEORGE SAUNDERS

Action Humans Light
When I was a kid, I took ‘The Brady Bunch’ and ‘The Partridge Family’ very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.
GEORGE SAUNDERS

Greek Kids World

[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.

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[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.

Related Topics

Popular Authors

More George Saunders Quotes